XR & real-time rendering studio
Light, shadow, and dynamic terrain converge into stages that hold 31 million concurrent viewers at 60 frames per second. Concerts, leagues, launches — live, rendered in real time, with nothing pre-baked to hide behind.
214
live shows delivered since 2019
31M
concurrent viewers served across broadcasts
60 fps
contracted frame rate, never negotiated down
0
shows lost to render failure on air
Anyone can show a rendered flythrough. We show shows that went to air, on schedule, under a fixed GPU budget, with an audience watching.
E-gaming league
Nine broadcast days, one stage that reconfigured itself between six title matches. Map picks drove the environment: the arena floor, banner walls, and lighting rig rebuilt in seven seconds between rounds, live, with no cut to a holding card.
Product launch
A single 90-second camera move through five lighting states, rendered live so the product could be swapped for the regional variant eleven hours before broadcast. Materials were built from the manufacturer's own scan data, not approximated.
"They rebuilt our finals stage in four days after a sponsor change and still handed us a performance report before rehearsal. Nobody else on our vendor list would have taken that call."
Head of Broadcast, Meridian Circuit
LED volume environments with lighting cues bound to the timecode, so the room reacts on the beat instead of a second after it.
Tournament worlds driven by live match telemetry: scoreboards, team identity, and crowd volumetrics that change as the series does.
Product-accurate materials under physically correct light, built for a single hero camera move and a room full of press.
Displacement, erosion, and crowd-reactive geometry that let a floor rise on cue without a re-render.
Per-scene GPU budgets, profiling reports before rehearsal, and a 20 percent headroom reserve held back for show night.
Our engineers sit at the console with your crew, with redundant playback and a rehearsed failover path for every scene.
Direct answers. If yours isn't here, write to us and we'll answer it the same way.
Eight weeks is comfortable for a full virtual stage: two weeks of previs, four weeks of environment and lighting build, two weeks of technical rehearsal. We have shipped in eighteen days when a broadcast date could not move, using an existing stage as the base layer.
Send the brief, the venue or volume spec, and the date. You get a written feasibility read and a budget range within three working days.
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